dante's inferno

The sea is the cemetery of the Chateau D'If.

Alexandre Dumas, "The Count of Monte Christ" (1845)

amara's law

We tend to overestimate the effect of a technology in the short run and underestimate the effect in the long run.

Roy Amara (1975)

the hunt

You ask advice: ah, what a very human and very dangerous thing to do! For to give advice to a man who asks what to do with his life implies something very close to egomania. To presume to point a man to the right and ultimate goal— to point with a trembling finger in the RIGHT direction is something only a fool would take upon himself.

I am not a fool, but I respect your sincerity in asking my advice. I ask you though, in listening to what I say, to remember that all advice can only be a product of the man who gives it. What is truth to one may be disaster to another. I do not see life through your eyes, nor you through mine. If I were to attempt to give you specific advice, it would be too much like the blind leading the blind.

“To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles … ” (Shakespeare)

And indeed, that IS the question: whether to float with the tide, or to swim for a goal. It is a choice we must all make consciously or unconsciously at one time in our lives. So few people understand this! Think of any decision you’ve ever made which had a bearing on your future: I may be wrong, but I don’t see how it could have been anything but a choice however indirect— between the two things I’ve mentioned: the floating or the swimming.

But why not float if you have no goal? That is another question. It is unquestionably better to enjoy the floating than to swim in uncertainty. So how does a man find a goal? Not a castle in the stars, but a real and tangible thing. How can a man be sure he’s not after the “big rock candy mountain,” the enticing sugar-candy goal that has little taste and no substance?

The answer— and, in a sense, the tragedy of life— is that we seek to understand the goal and not the man. We set up a goal which demands of us certain things: and we do these things. We adjust to the demands of a concept which CANNOT be valid. When you were young, let us say that you wanted to be a fireman. I feel reasonably safe in saying that you no longer want to be a fireman. Why? Because your perspective has changed. It’s not the fireman who has changed, but you. Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.

So it would seem foolish, would it not, to adjust our lives to the demands of a goal we see from a different angle every day? How could we ever hope to accomplish anything other than galloping neurosis?

Hunter S. Thompson (circa 1957)

el olvido


...

Puedo escribir los versos más tristes esta noche.
Pensar que no la tengo. Sentir que la he perdido.

Oir la noche immensa, más inmensa sin ella. 
Y el verso cae al alma como al pasto el rocío.

Qué importa que mi amor no pudiera guardarla.
La noche está estrellada y ella no está conmigo.

Eso es todo. A lo lejos alguien canta. A lo lejos.
Mi alma no se contenta con haberla perdido.

Como para acercarla mi mirada la busca.
Mi corazón la busca, y ella no está conmigo.

De otro. Será de otro. Como antes de mis besos.
Su voz, su cuerpo claro. Sus ojos infinitos.

Ya no la quiero, es cierto, pero tal vez la quiero.
Es tan corto al amor, y es tan largo el olvido.

Porque en noches como ésta la tuve entre mis brazos,
mi alma no se contenta con haberla perdido.

Aunque ésta sea el último dolor que ella me causa,
y éstos sean los últimos versos que yo le escribo.
Pablo Neruda, 'Poema 20' (1924)

exit music

And in the end
The love you take
Is equal to the love
You make
the last lyric on the last song written by "The Beatles"

108

In an effort to get people to look 
into each other’s eyes more, 
and also to appease the mutes, 
the government has decided 
to allot each person exactly one hundred   
and sixty-seven words, per day. 

When the phone rings, I put it to my ear   
without saying hello. In the restaurant   
I point at chicken noodle soup. 
I am adjusting well to the new way. 

Late at night, I call my long distance lover,   
proudly say I only used fifty-nine today.   
I saved the rest for you. 

When she doesn’t respond, 
I know she’s used up all her words,   
so I slowly whisper I love you 
thirty-two and a third times. 
After that, we just sit on the line   
and listen to each other breathe.
Jeffrey McDaniel, "The Quiet World" (1998)

gemini

You and I share the same DNA. Is there anything more lonely than that?

"Adaptation" (2002)

mercurial

" I dream'd a dream to-night."

"And so did I."

"Well, what was yours?"

"That dreamers often lie."

William Shakespeare, "Romeo and Juliet" (1597)

latino america/sur real

La historia de Mexico esta en pie. Aqui no ha muerto nadie, a pesar de los asesinatos y fusilamientos. Están vivos Cuauhtémoc, Cortes, Maximiliano, don Porfirio y todos los conquistadores y todos los conquistados. Eso es lo original de Mexico. Todo el pasado suyo es actualidad palpitante. No ha muerto el pasado. No ha pasado el pasado, se ha parada.

Jose Moreno Villa (1992)

The past is not dead. It's not even past.

William Faulkner, "Requiem for a Nun" (1951)

baptismal theory

You can't take a bath in the word "water."

Alan Watts, "In My Own Way" (1972)

exeunt

In a theater, it happened that a fire started offstage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed- amid the universal hilarity of wits and wags who think it is all a joke.

Kierkegaard, "Either/Or" (1843)

candles

"Nothing, your smile reminded me of--"

"I always remind people of...
Who is she?"
Jonathan Larson, "Light My Candle" (1994)

consolation/vesuvius, fire of fire

However, the flames remained some distance off; then darkness came on once more and ashes began to fall again, this time in heavy showers. We rose from time to time and shook them off, otherwise we should have been buried and crushed beneath their weight.

I could boast that not a groan or cry of fear escaped me in these perils, but I admit that I derived some poor consolation in my mortal lot from the belief that the whole world was dying with me and I with it.

Pliny the Younger's retelling of his surviving Vesuvius' destruction of Pompeii (79 AD)

ducking the question

You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over? Do you happen to know, by any chance?

J. D. Salinger, "The Catcher In The Rye" (1951)

fiji waters

This is us...and all the way around here...Fiji. You can't get any further away before you start coming back.

"The Truman Show" (1998)

seek and destroy

That which can be destroyed by the truth should be.

P. C. Hodgell, "Seeker's Mask" (1994)

drown

For the world it is drowning in paper.

"Poirot, Murder in Mesopotamia" (2001)

paper cuts

"Well, you're obviously being totally naive of course", said the girl, "When you've been in marketing as long as I have, you'll know that before any new product can be developed it has to be properly researched. We’ve got to find out what people want from fire, how they relate to it, what sort of image it has for them."

...

"And the wheel," said the Captain, "What about this wheel thingy? It sounds a terribly interesting project."

"Ah," said the marketing girl, "Well, we're having a little difficulty there."

"Difficulty?" exclaimed Ford. "Difficulty? What do you mean, difficulty? It's the single simplest machine in the entire Universe!"

The marketing girl soured him with a look.

"Alright, Mr. Wiseguy," she said, "if you're so clever, you tell us what colour it should be."

Douglas Adams, "The Hitchhiker's Guide to the Galaxy" (1978)

break/bend

If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills.

It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.

Ernest Hemingway, "Farewell to Arms" (1929)

chimps in blimps

Will we solve the crises of next hundred years? asked Krulwich. “Yes, if we are honest and smart,” said [E.O.] Wilson. “The real problem of humanity is the following: we have paleolithic emotions; medieval institutions; and god-like technology.”

Harvard Magazine, "An Intellectual Entente" (2009)

wolf mother

He leaned slightly towards them. When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.

Cormac McCarthy, "Blood Meridian" (1985)

george carlin

I don't like words that hide the truth. I don't like words that conceal reality. I don't like euphemisms, or euphemistic language. And American English is loaded with euphemisms. Cause Americans have a lot of trouble dealing with reality. Americans have trouble facing the truth, so they invent the kind of a soft language to protect themselves from it, and it gets worse with every generation. For some reason, it just keeps getting worse. I'll give you an example of that.

There's a condition in combat. Most people know about it. It's when a fighting person's nervous system has been stressed to it's absolute peak and maximum. Can't take anymore input. The nervous system has either (click) snapped or is about to snap.

In the first world war, that condition was called shell shock. Simple, honest, direct language. Two syllables, shell shock. Almost sounds like the guns themselves.

That was seventy years ago. Then a whole generation went by and the second world war came along and very same combat condition was called battle fatigue. Four syllables now. Takes a little longer to say. Doesn't seem to hurt as much. Fatigue is a nicer word than shock. Shell shock! Battle fatigue.

Then we had the war in Korea, 1950. Madison avenue was riding high by that time, and the very same combat condition was called operational exhaustion. Hey, we're up to eight syllables now! And the humanity has been squeezed completely out of the phrase. It's totally sterile now. Operational exhaustion. Sounds like something that might happen to your car.

Then of course, came the war in Viet Nam, which has only been over for about sixteen or seventeen years, and thanks to the lies and deceits surrounding that war, I guess it's no surprise that the very same condition was called post-traumatic stress disorder. Still eight syllables, but we've added a hyphen! And the pain is completely buried under jargon. Post-traumatic stress disorder.

I'll bet you if we'd of still been calling it shell shock, some of those Viet Nam veterans might have gotten the attention they needed at the time. I'll betcha. I'll betcha.

George Carlin, "Explicit Lyrics" (1990)

george orwell

In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenseless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements. Such phraseology is needed if one wants to name things without calling up mental pictures of them.

George Orwell, “Politics and the English Language” (1946)

the woods

One person alone in the woods is a scary story. Two is a fairy tale.

Pitchfork, "Xiu Xiu" review (2010)